A QUIET SHOUT
ALM No.80, September 2025
POETRY
A Quiet Shout
It’s a bloodless life,
conjuring potential pasts
for some sense of recognition,
looking for anything that might say,
“Yes, I know, I know.”
It’s bloodless,
but it’s necessary,
and that is why we continue,
our bootheels worn to
near non-existence,
but there will always be
something else
floating in the periphery
of our cataracted future.
The sun came up today,
and as everything thaws,
we see what has
always been underneath.
Tell it to the sky;
as it turns out,
the shifting atmosphere
might’ve been listening
all along.
Just Give it the Obvious Name
It’s a shame
to see this life
as casually destroyed
as one might
a discarded wrapper,
or the earthly remains
of a kitten frozen
behind the barn
on an early February sunrise.
It’s a shame
to see these things,
terrible and true,
informing our
perception of reality;
a perspective that grows
darker, more metallic
and unforgiving
seemingly daily.
It’s a shame
to see the huddled masses
clamber for more
of their own destruction,
as someone or something
somewhere far off
feigns the slightest
nudge of civility,
keeping all righteous indignation
at the safest of distances.
It’s a shame,
all of these things,
these moments
and images which
if we didn’t create,
we certainly condoned
in our uproarious silence.
It’s a shame
to see the sun going down,
closing out another day
with absolutely nothing
but a twinge of degradation
to show for it.
It’s Behind You
How many more years?
you think to yourself,
chugging down handfuls of
someone els’s life,
choking on all the sickly sweetness,
gagging on all that bitter medicine.
Chance it, you think,
and why not?
It’s a series of events,
nameless moments,
successes and failures
viewed through the prism of
your perception of
all the others’ perception.
Chuck it to the shoulder;
the world litters your mind,
pour yourself out
among the cigarette butts
and molding fast food cups,
in some symbolic attempt to
even it all out.
That done, you can refill yourself with
anything you want,
anything you can see,
and all those things you can’t.
You think these things,
but the fingers are sugary today,
and the only water is jittery,
if it moves at all.
You stand up and
beg the world for forgiveness,
but you’ve made a life of
flying so far under the radar,
no one’s sure you even exist,
and you think it might be better
to be an abstraction.
How many more years?
you think to yourself,
before you dump it all out
and try again.
How It Goes
Shaking off the dread
that often comes along
with yet another morning,
you can often find yourself
wondering why,
and not why
in the why are we here
kind of way,
but more of a
why is it this and not that
kind of thinking,
and that’s the dangerous ideas,
the ones that can throw you overboard
in a sea that the most
unobservant reports might call,
“a little choppy,”
and it takes nothing to
keep on sinking,
and it takes everything
to stay above the surface,
and even then,
you might not be able
to pull it off,
so you take some of the brine
into your lungs,
just for a taste,
just to see if it’s all that bad,
and before you know it,
you’ve broken into the sunshine again,
and what the hell,
it’s been four hours,
and your half-bare ass
is plastered to the sweaty sheets,
and you’ve got nothing to show for anything,
but wait, there’s more,
because someone’s knocking
on your hollow front door,
and the sound it rattling
the bad tooth on the
passenger side of your skull,
and wouldn’t you know it,
the cat puked on the rug again,
and you’ve got this sinking feeling
the knocker is that bill collector,
and it’s not that you don’t have it,
you just don’t want to give it,
not out of stinginess,
not out of spite,
simply out of the fact that,
a big chunk of the day’s already gone,
might as well fritter away the rest,
yeah, that’s got to be the best way
to shake off the dread.
Existential Streetcorner
You’re standing on the corner
of Now and Eternity,
and somehow Past
always seems to be
gaining ground,
a torturing reminder that
all of this running
is futile in the end,
but as you stand on that
existential streetcorner,
despite the knowing pointlessness,
it appears exceedingly useless,
if not downright amoral
to stand still,
waiting for the lights to change,
though we all know
they never will,
not until we get off our asses
and churn that old-school hand crank
for all it’s worth,
like a beat-to-hell, stubborn old Model T,
and some days it feels like
maybe old Hank was onto something
when he told the masses:
any color,
so long as it’s black,
but the lights at that
cross section of reality,
sometimes they do change,
and even when they don’t,
they’re never black,
and now you can feel
Past’s breath in the little hairs
on the back of your neck,
and Now feels like a storm’s coming,
so you put your first foot forward
and step into Eternity.
James Benger is the author of several books of poetry and prose. He serves on the Board of Directors of the Writers Place and on the Riverfront Readings Committee. He is the founder and Editor in Chief of the 365 Poems in 365 Days online poetry workshop. He lives in Kansas City with his wife and children.

